
by Sean Owens
In 1971 Coca-Cola launched one of its very first in-color TV commercials. It was named; “I’d like to buy the world a Coke” and has been called, “one of the best-loved and most influential ads in TV history”. It featured a multicultural cast with actors and actresses from over 20 countries singing together on a hilltop in Italy. All holding a cold bottle of coke in their hands.

The commercial has been called “groundbreaking” and was a part of the Coca-Cola campaign, “It’s the real thing”. The slogan, as well as the commercial was created by Bill Backer (creative director for the Coca-Cola account at McCann). The idea of the commercial came to Backer while in an airport on the way to London. He quickly wrote down the words, “I’d like to buy the world a Coke and keep it company” on a white napkin so that he would not forget it in the morning.

Backer got help from established song writers Roger Cook, Billy Davis and Roger Greenway to write the full song for the commercial. The song became such a hit it was recorded by the New Seekers, a British pop-band. It was so idolized that it was played on the radio as a full-on song.
The lyrics read;
The commercial has received praise throughout the years, and rightfully so. Davis truly captured the essence of Coca-Cola’s brand identity explaining that, Coke was more than a liquid refresher. Saying that, Coke is a “tiny bit of commonality between all people”.

The commercial gave hope to a multicultural world in where a bottle of Coke could be shared together amongst anyone in “perfect harmony”. The Coca-Cola bottle was used as a symbol of peace. By using a multicultural cast the commercial aimed for a world filled with greater acceptance and inclusion. Erasing divisions between people with different skin colors, ethnicities, and backgrounds.
The commercial first aired in 1971. The same year as the US voting age was lowered to 18, Disney World welcomed it’s first visitors, the Pentagon Papers were published, and National Public Radio broadcasted for the first time.

A lot of things were changing at this time. You could possibly argue that in a state of doubt and anti-Vietnam war attitudes, Coca-Cola was ahead of its time releasing this “feel good” commercial focused on friendship and happiness. And it might have been a slight nod against the war oversees.
Take a look at the commercial yourself! Why do you think this became such a hit? Why do you think it resonated with people?
P.S. If you watched Mad Men, the final scene of the show is followed by the Coca-Cola Hilltop commercial. Showcasing just how iconic it was and still is today.
– Olivia Nilsson

The race for our next presidential candidates has been nothing short of entertaining this year, to say the least. The Republican Party’s posterchild, Donald J. Trump, is currently the frontrunner in polls. When Trump announced his presidential campaign, our nation couldn’t help but look incredulously at the millionaire mogul who’s already built his successful brand through business, franchises and TV networks. Despite bluntness, controversial statements and even discrepancies in political speeches, Trump has garnered the support of thousands of Republicans and the praise of being one of the most candid, or “authentic” candidates—but how and why?
Perceptions of Authenticity
Can a political candidate, or anyone for the matter, be authentic? In short, no. Or at least this is what Andrew Potter argues, author of The Authenticity Hoax, a 2010 book that criticizes the modern individual’s search for an ultimately unattainable “authentic” self.
In his chapter titled “Vote for me, I’m Authentic” Potter delves into the issue of voter apathy in democratic societies and how political campaigning and the media affect this. Most of us are used to manufactured speeches and the all-talk-no-results perception of politicians—and there’s been a trend of voter apathy, or the choice to not vote, in developed countries.
Trumps political extremism manufactures a perception of authenticity which could motivate U.S. citizens to vote who may consider themselves apathetic. He delivers seemingly uncensored and extemporaneous speeches—however questionable they may be—that echo his results-oriented business background. Why does he have a larger following than, say, Carly Fiorina, former CEO of HP and businesswoman alike?
The Media Controls It
Agenda-setting theory, anyone? This communication theory says that the media manipulates what the public thinks is important. Basically, whatever stories have the most coverage in the news become the “important” issues—the flavor of the week. Trump, for a variety of reasons, has been covered practically every day by some type of media outlet since he announced his participation in the race. You probably have read a story or two about Trump, even if you didn’t want to.
In a recent example of agenda setting not involving Trump—who won the first Democratic debate? Major media reports that Hillary Clinton was the clear winner when, according to online polls, Bernie Sanders was voted the winner by viewers. Is this a disparity of choice or opinion? Potter writes, “The media’s pundit class feeds this gladiatorial conception of political debates by treating them as a boxing match, with the post-debate analysis invariably focused on who scored what points, and whether any of the candidates was able to strike the mythical “knockout blow” (p. 172). While the media like to sensationalize, there are other factors involving what the media cover. In short, the media, across multiple outlets, can report that Hillary Clinton won when voters disagree. How do we evaluate the ways we receive our news?
Trump’s Brand
Like all political candidates, Trump is a brand. Donald Trump is a symbol, a message and a vehicle for his message. Trump is a business icon and has built an empire over many years, but why is Trump running for president, too? Political IMC is integral to the success or failure of a candidate’s campaign—establishing ethos, effective marketing, political advertising, event planning and speech writing are just some components that go into the branding of a politician.
“‘’Some people think this will be good for my brand,’ Trump concluded, as deep as he probes. ‘I think it’s irrelevant for my brand.’” This blasé quote came from Trump himself in a feature written by Mark Leibovich in the New York Times Magazine.
I disagree with Mr. Trump. For public figures, every extension of oneself, every action, participation, speech, statement, declaration affects one’s brand. One’s brand is the essence and the story of who they are. While Trump will probably only gain revenue and face time with his campaign, to say that it doesn’t affect his brand is nonsense. Whether it’s good or bad is a value judgment, but it’s fair to say that is not now, Trump’s brand will see the effects of this year’s political campaign.